The Toronto Consort: (top row) David Fallis, Alison Melville, Michelle DeBoer, John Pepper, Paul Jenkins,
(bottom row) Katherine Hill, Terry McKenna, Laura Pudwell, Ben Grossman.
Photo Credit: Paul Orenstein
"Toronto should count its blessings that it has an ensemble like the Consort to expose it to the masterpieces of Early Music. From soloists to musicians to conductor David Fallis, this was early music-making at its very best."
ince its founding in 1972, the Toronto Consort has become internationally recognized for its excellence in the performance of medieval, renaissance and early baroque music. Some of Canada’s leading early music specialists have come together to form the Toronto Consort whose members include both singers and instrumentalists (lute, recorder, guitar, flute, early keyboards and percussion).
Each year The Toronto Consort offers a subscription series in Toronto. These concerts are constantly exploring new repertoires and new ways to bring early music to the modern audience. The Consort often works in collaboration with other artists, such as actors, dancers and visual artists, to produce concerts which have dramatic as well as musical appeal. Many of the Consort’s most successful Toronto programs have been taken on tour across Canada, the United States and Europe.
“Since the founding of The Toronto Consort in 1972, Canada can boast a world-class early music ensemble worthy of the attention of any musically literate ear… Their closely matched phrasing, intonation and tonal shading was worthy of the finest string quartet.” Chronicle Herald, Halifax
The Toronto Consort is heard frequently on Canadian and international radio and television and has appeared with the Toronto Symphony Orchestra and the Montreal Symphony Orchestra as well as the North German Radio Orchestra. Its many recordings include the Praetorius Christmas Vespers, The DaVinci Collection, The Queen: Music for Elizabeth I, The Way of the Pilgrim, Mariners and Milkmaids, The Little Barley-Corne, Nowell Sing We, the Juno-nominated Full Well She Sang, Orlando di Lasso: Chanson and Madrigals, and O Lusty May.
Unusual for an early music ensemble but further evidence of the Consort’s versatility and virtuosity, is its contemporary repertoire. Canadian composers such as John Beckwith, Lothar Klein and David Keane have written pieces especially for The Toronto Consort. The Toronto Consort recorded the soundtrack for Atom Egoyan’s award-winning film The Sweet Hereafter.
Whether portraying the haunting emotion of a minstrel’s ballad or capturing the sparkle of a rollicking madrigal, The Toronto Consort brings alive the glorious music of earlier times.
© 2014, Toronto Consort
About Us Main Page
Toronto Consort Bios
"The Toronto Consort consists of
musicians who excel equally as singers and performers on a wide
variety of early instruments... No matter what the combination the
quality of performance is of a standard that all ensembles, devoted
to early music, would be very pleased to match."
The Toronto Consort
427 Bloor Street West
Box Office: 416-964-6337
Administrative Office: 416-966-1045
The Toronto Consort gratefully acknowledges the support of the Canada Council for the Arts , the Ontario Arts Council, and the Toronto Arts Council.