|
|
The Toronto Consort's newest CDs are available directly
from M A R Q U I S C L A S S I C S

Back to main recordings page |
The Queen: Music for Elizabeth I
| See, see the shepheards queene |
Thomas Tomkins (1572-1656) |
| Can she excuse my wrongs |
John Dowland (1563-1626) |
| Lord Willoughby |
Anonymous, late 16th century, arr. Garry Crighton |
| Essex last good-night |
Anonymous, early 17th century, arr. David Fallis |
| The Queenes treble |
John Johnson (fl. 1579-1594) |
| When Dasies pied |
Anonymous, late 16th century, arr. Alison Mackay |
| O Mistris mine |
Thomas Morley (1557-1602) |
| Ring out your bels |
Anonymous, 16th century |
Nuttmigs and Ginger |
Anonymous, late 15th century |
| Wooe her and win her |
Thomas Campion (1567-1620) |
| Time stands still & The Lady Frances Sidneys Almayne |
John Dowland & Richard Allison (fl. 1592-1606) |
| Say love if ever thou didst find |
John Dowland |
| Courant, of harte diefje waerom zoo stil |
Jakob van Eyck (c. 1590-1657) |
| Each lovely grace |
William Corkine (fl. 1610-1612) |
| Where are all thy beauties now? |
Thomas Campion |
| The Sacred End Pavin |
Thomas Morley |
| In Eighty-eight |
Anonymous, early 17th century, arr. David Fallis |
| The Queenes Alman |
William Byrd (c. 1540-1623) |
| With fragrant flowers |
Frances Pilkington (c. 1570-1638) |
| His golden locks |
John Dowland |
| All creatures now |
John Bennet (fl. 1575-1614) |
| Fly Love |
Thomas Morley |
Marquis 81387
|

Back to main recordings page |
The DaVinci Collection: Italian Music from the Time of Leonardo
| Piva alla venetiana |
Joan Ambrosio Dalza |
| Viva Cristo e chi li crede |
Anonymous |
| Lirum, bililirum |
Rossini Mantovano |
| Io so ben quel che io so |
Bartolomeo Tromboncino |
| Tante volte: si, sí, sí |
Marchetto Cara |
| Piva a due liuti |
Joan Ambrosio Dalza |
| Saltarello alla venetiana |
Joan Ambrosio Dalza |
| Noi l’amazone siamo |
Filippo de Lurano |
Canzona de’ confortini & Madre de’ peccatori |
Anonymous |
| Vale, diva, vale in pace |
Bartolomeo Tromboncino |
| O tempo, o ciel volubil |
Paolo Scotto |
| Pavana alla ferrarese |
Joan Ambrosio Dalza |
| L’amor, dona, ch’io te porto |
Giacomo Fogliano |
| Pavana alla venetiana |
Joan Ambrosio Dalza |
| Canto di lanzi pellegrini |
Anonymous |
| Sú, sú, leva, alza le ciglia |
Bartolomeo Tromboncino |
| Recercare |
Francesco Spinacino |
| Dolce ire, dolce sdegni |
Bartolomeo Tromboncino |
| El mio amor è intiero amore |
Bartolomeo Tromboncino |
| Quella bella e bianca mano |
Antonio Caprioli |
| Recercare |
based on Francesco Bossinensis |
| Saltarello alla ferrarese |
Joan Ambrosio Dalza |
| Non è tempo d’aspettare |
Marchetto Cara |
| Hor vendut’ho la speranza |
Marchetto Cara |
| Spingardo |
Joan Ambrosio Dalza |
MAR 357
|


Back to main recordings page |
Praetorius Christmas Vespers
Toronto Consort with Instrumental Ensemble & The Toronto Chamber Choir
| Opening Hymn: “Geborn ist Gottes Söhnelein” |
|
| The Ten Commandments: “Die zehen Gebot” |
|
| Credo: “Wir gläuben all en einen Gott” |
|
Gospel Reading: “So schreibt der heilige Lucas” |
|
Jubilate Domino (Psalm 98) |
|
The Lord’s Prayer: “Vater unser in dem Himmel” |
|
Hymnum de tempore: “Der neugebornen Kindelein” |
|
Antiphon: “Christum unsern Heiland” |
|
Magnificat, Part I: Meine Seel erhebt den Herren” |
|
Carol: “Ein Kind geborn zu Bethlehem” |
|
Magnificat, Part II: Denn er hat große Ding an mir getan” |
|
Carol: “Freut euch, ihr lieben Christen” |
|
Magnificat Part III: Er stößet die Gewaltigen vom Stuhl” |
|
Carol: “Von Himmel hoch” |
|
Magnificat Part IV: “Wie er geredt hat unsern Vätern” |
|
| Carol: “Joseph lieber, Joseph mein” |
|
Collect: “Der Herr sei mit euch” |
|
Blessing: “Benedicamus aeterno Regi” |
|
Closing Hymn: “In dulci jubilo” |
|
MAR 335 |
 The following five Toronto Consort
CDs are available directly from D
O R I A N R E C O R D I N G S


Back to main recordings page |
Mariners
and Milkmaids
Ballads and Dances from 17th-Century England
The Cut-Purse |
|
Come ashore Jolly Tar & your Trousers on |
|
Never love thee more |
|
Gilderoy |
|
Luer, Faulkners, luer |
John Bennet |
In Eighty Eight |
|
The Sailor Laddie / The Sailor Lassie |
|
Epping Forest / The English Huntsupp / The Old Mole |
|
The Cries of London / The Queen’s Delight |
|
The Countrey Lasse |
|
The Milke-maid’s Life |
|
An Italian Rant / The Chirping of the Larke / The 29th of May |
|
The Recruiting Officer |
|
Sister awake |
Thomas Bateson |
Waltham Abbey |
|
| New Oysters |
Thomas Ravenscroft |
‘Twas within a Furlong of Edinborough Town |
|
Wee be Soldiers three |
Thomas Ravenscroft |
Sweet William |
|
Mad Tom |
|
The Faulconers Hunting |
|
Boate man |
|
The Maidens Songe |
William Byrd |
Wee be three poore Mariners |
Thomas Ravenscroft |
Greensleeves |
|
DOR-93247
|


Back to main recordings page |
The Way of the
Pilgrim
Medieval Songs of Travel
Pilgrims and Crusaders I |
|
Como poden per sas culpas |
Anonymous (13th c.) |
Seigneurs, sachiez |
Thibaut de Champagne (1201-1253) |
Ben pode Santa Maria |
Anonymous (13th c.) |
Chevalier, mult estes guariz |
Anonymous (13th c.) |
Quen quer que na Virgen fia |
Anonymous (13th c.) |
Wandering Scholars – the Carmina Burana |
Clauso chronos |
Anonymous (13th c.) |
Virent prata |
Anonymous (13th c.) |
Bonum est confidere |
Anonymous (13th c.) |
Bache bene venies |
Anonymous (13th c.) |
The Last of Minnesänger |
|
Es fuegt sich |
Oswald von Wolkenstein (c. 1377-1445) |
Pilgrims and Crusaders II |
|
Jerusalem se plaint |
Huon de Saint-Quentin (fl.1210-1230) |
Nu alerst |
Walther von der Vogelweide (c. 1170-1245) |
Dame einsi est |
Thibaut de Champagne |
Li departirs |
Chardon de Croisilles (fl. 1220-1245) |
Los set gotxs recomptarem |
Anonymous (14th c.) |
DOR-93214
|


Back to main recordings page |
The Little Barley-Corne
Winter Revels from the Renaissance
The Little Barley-Corne |
|
All you that are good fellowes |
|
Greensleeves and pudding pies / Bouzer Castle |
|
Les Gavottes |
Michael Praetorius |
Branle de l’Official / Le bel Ange du Ciel |
|
Une jeune pucelle |
|
Ave maris stella / Noël nouvelet |
|
Apostrophe au petit Iesu couché dans la crèche |
|
Now when Joseph and Mary |
|
Scotch Cap / A Scotch Firk / Scots Rant |
|
O salich heylich Bethlehem |
Guilielmus Messaus |
O Heilig Zalig |
Jakob van Eyck |
Lady Catherine Ogle / The Scotchman’s Dance |
|
Drive the cold winter away / Come follow follow me |
|
Jésus naît, tendre et blême |
|
Vray Dieu il n’est si doulce chose |
|
L’Annonciation de l’Ange Gabriel à la Vierge Marie |
|
Basse Danse “L’Annonciation” |
|
Chestnut / Kettle drum / The Symphony |
|
Now Candlemas is come at last |
|
DOR-93186
|


Back to main recordings page |
O Lusty May
Renaissance Songs of Spring
Now is the month of maying |
Thomas Morley (1595) |
Joan to the Maypole |
Anonymous (17th c.) |
Bellamira & Emperor of the Moon |
English Dancing Master |
Now the lusty spring is seen |
Anonymous (1614) |
Willy prithee go to bed |
Thomas Ravenscroft (1609) |
Greenwood & Hunt the Squirrel |
English Dancing Master |
Come away, come sweet love |
John Dowland (1597) |
Engels Nachtegaeltje |
Jacob van Eyck (1646) |
Beauty sat bathing |
William Corkine (1610) |
All in a garden green |
William Byrd (1591) |
This merry pleasant spring |
Anonymous (early 17th c.) |
Woodycock |
Anonymous (17th c.) |
Allons au vert boccage |
Guillaume Costeley (1570) |
Basse-dance “Jouissance” |
Thoinot Arbeau (1589) |
La terre n’agueres glacée |
Nicolas de la Grotte (1569) |
La rousée du joly mois de may |
Jean Planson (1587) |
Frais et gaillard |
Giovanni Bassano (1591)
/after Clemens non Papa |
Quand ce beau printemps je voy |
Jehan Chardavoine (1576)
/after Nicolas de la Grotte |
A jigge/Squirrel’s lament / The squirrel’s toy |
Anonymous (late 16th c.) |
Ma belle si ton ame |
Anonymous (1603) |
O lusty May |
Anonymous (1612) |
See, see the shepherd’s queen |
Thomas Tomkins (1622) |
DOR-93172
|


Back to main recordings page |
Chansons and Madrigals
Orlando di Lasso
Un jour l’amant |
(1570) |
Gallans qui par terre |
(1584) |
Ardant amour à 4 |
(1564) |
Ardant amour à 5 |
(1560) |
J’ay de vous voir |
(1584) |
Toutes les nuis |
(1563) |
Puisque vivre |
(1584) |
Susana |
(arr. Antonio de Cabezón, 1578) |
Susanne ung jour |
(arr. Giovanni Bassano, 1591) |
Susane un jour |
(1560) |
Bon jour mon coeur |
(1564) |
La nuict froide et somber |
(1576) |
Que dis-tu |
(1576) |
Ove sei, vita mia |
(1561) |
No giorno |
(1555) |
Tu traditora |
(1555) |
Come pianta |
(1587) |
Poi che’l mio largo pianto |
(1583) |
Madonna mia, pietà |
(1555) |
Appariran per me |
(1560) |
Chi chilichi |
(1581) |
DIS-80149
|

© 2010, Toronto Consort
|
|